In addition to bunkers and submarines, photoflood lights will most typically be found in scenes relying on diegetic light in an otherwise dark room. Physically fragile but heroic nevertheless, Bulb Boy is an endearing lead, and the awful odds stacked against him invest you in ensuring his success. The easy way to tell the difference between an authentic light bulb and a Hollywood example is if a light source seems strangely intense and much whiter than it would in real life. Bulb Boy is an all-too-brief but riveting rollercoaster ride of alternating horror and hope. Photoflood lighting most often affects period pieces, but the trope also particularly stands out in industrial or military settings where bare bulbs are common. The result is a lighting aesthetic that more accurately resembles a high school gymnasium than an intimate setting. Most of the time, any well-financed movie will use off-screen lighting equipment and technical support to avoid this, but due to budget problems or practical considerations (generally involving the size and shape of the set), photoflood lighting will occasionally be substituted for actual light bulbs in the light fixtures that appear on film, to provide adequate filming light without additional equipment. One of the oldest and most basic plot line tropes. The events go as follows: boy meets girl, boy loses girl, boy regains girl. Of course, we can change out ‘boy’ and ‘girl’ respectively. (Ordinary lightbulbs tend to top out in the 120W range.) Unlike the common incandescent light bulb that produces a warm yellow-orange glow, they provide a super-intense white light that makes florescent lamps seem downright cozy. But, at its essence this trope is about meeting, losing, and rekindling love. Technically known as "photoflood" bulbs, Photoflood Lighting fits into a normal lighting outlet but produce far more light than normal bulbs, often up to 500 watts (Halogen equivalent)-about 4500 lumens.
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